On her 18th birthday, Rebecca meets a mysterious man with magical powers. Roman, the warlock, shows her how her parents were murdered and bestows upon her the Sacred Amulet that is her birth rite. As she delves into the black arts of witchcraft, her adopted sister, Erin, fights to save her soul from the evil that has possessed her. It all ends in a showdown of good and evil as Erin and Roman battle for Rebecca.

Morality clashes with ceremony and things go awry.

The Patels, members of the Gujarati farming community, are obsessed with migrating to the United States to buy a motel.

Black-and-white film projections by Bill Morrison, using archival footage of frigid Arctic scenes.

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Amina, a young woman (17) is pregnant and afraid to give birth. For a consolation and advice she goes to older women but their stories scare her even more.

Everything is fine for Aylin, who has just given birth. Her husband and mother are with her, she has a helper at home and her friends come to visit. However, Aylin has difficulty adapting to the role of motherhood, she is reluctant to even hold her baby or feed him. Her gaze is always fixed on the distance, she has a pensive mood.

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The Joffrey Ballet's 1987 production of Vaslav Nijinsky and Igor Stravinsky's The Rite of Spring used reconstructions the original sets, costumes, and choreography from the 1913 production.

This film came into being on a farm in the village of Hakushu, Min Tanaka's home. Min Tanaka is a very distinctive personality of Japanese alternative theatre in which the mind questions the tongue and so the body becomes the tongue. Min Tanaka's dance is able to speak even to those who know nothing about Japan and Japanese art. Perhaps it is because, on their road to discovery, Min and his dancers probe deep down to the roots of the culture of all peoples, to the time when we were not yet Europeans and they were not Japanese.